‘Dallol’ series made in May 2016 in the Afar region of north-eastern Ethiopia.

Considered one of the hottest places on Earth, with temperatures reaching 50°C, the volcanic activity in the area forms surreal landscapes.

First Photography/Risography collaboration with Quintal Editions
Printed in the workshops of the Paris Print Club.
Graphic design by Oscar Ginter.
Thanks to Alexandra and Félix for their help with printing and finishing.

Signed and numbered on 150 copies

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ISSUE 3 – DECAY

WINTER 2021

MANARÒT [axe in Trentine dialect] is a literary magazine that aims to give a platform to young authors from Trentino-Alto Adige and South Tyrol, bringing to light influences between different worlds and languages, Italian and European.

Contributions:
Margherita Seppi
Nicolò Tabarelli
Davide Gritti
Lara della Gaspera
Giacomo Sartori
Riccardo Micheloni
Flavio Pintarelli
Alessia Sebastiani

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AUTUMN/ WINTER 2021

ISSUE #3

+ stickers

Artists of this issue:
Ryo Nakamura
Asami Togawa
Snack Motherhood
Yumiko Albrecht
Joël Ameloot
Tomoyuki Miyamoto
Yuri Tsuiki
Yoshie Sugito
Mariko Mukumoto
Sota Togawa
Ayano Sugiuchi
Kaoru Noguchi

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Ricky Rides Rick is a short story by Alexandra Noel. In a fever dream-like progression of grotesque acts, a father explores the uncanny physical connection he has with his son.

*comes with a bookmark designed by Apogee.

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This book is an unconventional autobiography. It retraces one year in the life of Rob Pruitt through the quotidian objects that the artist once loved, consumed, then felt he didn’t need anymore. An extension of the real-world flea markets, that he has been organizing since the early 1990’s, this particular collection of belongings sold on eBay from September 23 2013- September 23 2014 unearths precious fragments of Pruitt’s life while revealing his most material desires.

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MUM is an artists’ book made with the painter Laeh Glenn. It was designed by Apogee Graphics and co-published with RITE Editions. The book pairs photographs of Glenn’s work and images documenting her process with a conversation between Asha Schechter and Laura Owens.

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“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

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Sarah Parsons condenses video stills and fragments from the songs’ lyrics into a 208-page booklet. A visual exploration in search of this material’s manifold nuances & defining essence.

Klara Ravat’s room scent questions how we perceive the space around us. To be applied while listening to the music, the scent triggers different sensations as ‘Tales of Another Felt Sense of Self’ evolves, finally leaving an afterglow when the work ends & ambient noise reclaims the room.

Booklet designed by Sarah Parsons, Room Scent developed by Klara Ravat.

Includes unlimited streaming of Tales Of Another Felt Sense Of Self via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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This special issue, guest edited by writer, curator and sound artist Frédéric Acquaviva, is the very first comprehensive publication on Lettrist magazines. It describes, shows and contextualizes all issues of all 119 magazines created between 1946 and 2016 in, or in connection to, Lettrism – this vibrant and dynamic French avant-garde movement whose publishing adventures and efforts have, until OEI #92–93, been far too little known.

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The first image of this project was taken in a small Ladenkino in Berlin. The last picture was taken in front of a white garage in France. All the other pictures were taken somewhere else on the planet. Fascinated about ways of seeing, imagination and grip I started working on my first publication Can I see?. Inspired by the absence of truth and hierarchy, knowing all off the context will be my very own preconceived context, the images offer no specific explanation but give rise to the question of what it is you are looking at, and why. Spaces become autonomous spaces, their meaning can only be grasped in its evocative power. I exhibited Can I see? as an installation during the group exhibition HERE WE ARE WE HERE in December 2021.

By abandoning the storyline and iso­lating images of places and things, devoid of context, I can see. Can I see the ordinary – doors, chambers, windows – the spaces in-between the inside and the outside, as access to and as suggestion of something new?

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