The harsh realities of life in Berlin are laid bare in this short novel. From the piss drenched corners of the club scene, to the inevitable slide into madness. This is not therapy. This is not an addiction. It’s a fetish – of course it is. UROFAGIA – a love story with no boundaries.
Lo Yuen Yi is an artist that is hard to define. She specialises in using text to document artists and their creative endeavours and using drawing to deconstruct and reconstruct both words and concepts. Traces is divided into two parts—words and drawings—but the same questions underlie the two: who am I? What is art? What is the essence of memories? Each question is independent yet intertwined.
The drawings are a collection of pencil sketches, including portraits of a hand, mad women speaks featuring frames, work in progress which records the making of a hardbound book, cosmos-shells unearthed in my garden collecting shells from soil, tools Dad remade with tools as the subject etc. From defining oneself, to symbols of doubt, to capturing the broken traces left by memories.
The words are made up of seven essays which start with a discussion about the space for creativity and end at fixation on cities. As everything disappears, Lo asks: what are memories? Are there any left? In response, she replies:
The meaning of memory is within each person’s experience It has its own language Your memories are not mine My memories are not bigger than his or hers
Pages: 2 books, 170 pages in total with 4 postcards
A journey of escape The closer he gets to the border The more he feels What is truly disappearing Press the shutter Compress your thoughts Through the aperture Hidden in photographs Becoming the shadow of light On the barren snowfield Perhaps you’ll begin to miss home
“At first; mountains are mountains and rivers are rivers; while you are studying, mountains are no longer mountains and rivers are no longer rivers; but once you have had enlightenment, mountains are once again mountains and rivers again rivers.” — “Transmission of the Lamp” (Song Dynasty)
Artist Yan Kallen studied and lived overseas for many years, participating in many museum and gallery exhibitions abroad. However, Yan always regarded Hong Kong as home. Upon his return from Kyoto, Yan captured his own understanding and sentiments of Hong Kong using traditional Chinese painting style in combination with epiphany derived from Zen school of thought originating from Song Dynasty.
In this city, old houses are demolished every day and construction in process is found everywhere — around any corner, you can find a new high-rise building that seemingly came from nowhere. Revisiting places that were etched into his memory before he left Hong Kong as a child, this book starts from the home of Yan’s grandfather in Pak Hung House in Choi Wan Estate, Ngau Chi Wan. In this easily forgotten place surrounded by high cement walls, how can one gently set down one’s memories?
Perhaps this is a question that every one of us need to answer for ourselves.
Atelier Antwerp is a portraits collection of contemporary Belgian Artists.
Featuring Sarah Neutkens – Porcelain id – Melody Van Gompel – Misha Demoustier – Nora El Koussour – Sam de Nef – Thibaud Frank Dooms – Lisa – Koo Gautama – Roosbeef- Kleine Crack – Gijs & Lisa – the Visual – Willem Ardui – Noa Lee – The Haunted Youth – Whispering Sons.
The Aforementioned examines the dynamic relationship between object and human usage. It’s a collection of images that document the objects we encounter in daily life, in a personal yet archival manner.
This collection provides a soulful / geometric interpretation of the linkage between the object and the user. Some object stands oddly intruding from its environment, some sits quietly hidden from any attention, whether artificial or natural, object serves a purpose to someone or something at one point in time. From a cut opened steel fence to mystery hands at an intersection, they are seemingly unrelated yet deeply connected. The sequence reflects on the randomness of a daily encounter giving each occurrence a voice of its own.
Designed by Louis Kang Introduction by Valarie Frost Printed with Sensations Print in Taipei
Special 70th edition “THE STAR POWER ISSUE” (yellow cover).
THE BITCH IS BACK! See the return of pop’s most perennially talked about legend, Britney Spears, photographed by Mario Testino for our starpower issue. Plus: Joan Smalls by Alasdair McLellan, Carolyn Murphy by Danielle and Iango, and the best of spring fashion.
Contents:
Britney Spears photographed by Mario Testino Celine Dion Giselle Bündchen Stevie Wonder Liberace Lea T Zahia Dehar Power Agents Hollywood Legends L.A. Infamy
“Healing The Museum” is a mid-career monograph looking at Grace Ndiritu’s diverse practice over the last twenty years, which encompasses performance, film, shamanism, social actions, painting, publications, textile work, and collection research. The large selection of artworks included in the publication are in a dialogue with each other, further enriched by in-depth conversations with Brook Andrew, Gareth Bell-Jones, and Philippe Van Cauteren, and written contributions from Ifeanyi Awachie, Ann Hoste, and Hammad Nasar. The monograph’s publication coincides with the eponymous exhibition at S.M.A.K.–Stedelijk Museum voor Actuele Kunst in Ghent.
