The structure of a 1982 Cinderella sticker album formed the basis for Lenard Giller’s Productions, exploring the tension between mass media, memory, empty frames and fulfilling time. Originally conceived to host 360 stickers as a printed synthesis of its cinematic counterpart, Giller reinterprets its configuration offering a new narrative proposition.

In Productions, none of the characters are suitably introduced, confrontations take place without explanation and the resolution is left unresolved. What remains is a broken-up storyboard, a slimmed-down tale told through drawings, the characters becoming innocuous, with their voices from the original film and their emotional journeys entirely absent. It becomes as much about the processes of production as it is about the story, Giller exposes the limits of how entertainment is made, when all is reduced to its core.

Texts by Ted Targett

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This edition of ZIGG is interested in exploring sex as an evolutionary psychology. It brings together contributions from a network of friends, peers, colleagues who have engaged or encountered the makers of ZIGG through intellectual, psychosexual vibrations. It includes text messages, illustrations, drawings, poetry, code, conversation, rants, and essays. 

Contributors: Hala Bint, Alex Cecchetti, Common Accounts, Kelly Fliedner, Chitra Ganesh, Drew Gordon, Margaret Haines, Raja’a Khalid and Ahmad Makia, Amanda Lee Koe, and Deepak Unnikrishnan.

ZIGG is a publishing association engaged in critical thinking from Dubai. It circulates amorphous aesthetics, printed matters, and promotes the disciplinary blurring between sex, media, earth matter, magic, and politics.

Edition of 300

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German artist Kai Althoff (born 1966) is renowned as a figurative painter and creator of all-encompassing poetic environments that incorporate textiles, photographs, drawings and artifacts. Althoff draws from a wide range of literary, cultural and artistic influences in his work, and for his unique display at Whitechapel Gallery in London he pays tribute to British potter Bernard Leach (1887–1979), selecting around 20 of Leach’s ceramic vessels and tiles from the 1920s onward to be displayed in specially designed vitrines.

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Yves Klein (1928–62) first traveled to Japan as a young man in 1952, motivated primarily by his interest in judo. During his 15 months abroad, Klein had numerous important creative and philosophical revelations that culminated in the launch of his artistic career upon his return to Paris.

Prepared in collaboration with the Yves Klein Archives, this volume details Klein’s relationship with Japan through nearly 150 archival documents, photographs and letters, inviting the reader on his journey from martial arts to fine art at the very beginning of his career. Along the way we learn of Klein’s important encounters with art critic Takachiyo Uemura, painter Keizo Koyama and design professor Masaki Yamaguchi. “Yves Klein Japon” provides essential insight into the origins of Klein’s oeuvre as both a groundbreaking visual artist and prolific writer whose short-lived career helped to transform postwar art.

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Mixed photos/photo-collages from around the globe.

Bonus: QR code for exclusive music-track to download
Limited on 50 pieces/numbered
Comes with stickers

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This project is dedicated to the research of future actions for the conservation and promotion of biodiversity. The grasslands for insects collected in this book were made possible by several machine learning models.

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“Many years ago Alan Courtis and I started swapping audio recordings we made in deserted places known as “steppe”. I recorded many in South Ukraine, on the last spot of the European virginal steppe known as Askania Nova. Alan found his sounds in Patagonia, Argentina, it’s another steppe territory, another part of the globe. Both are unusual places to get some interesting field recordings.

What you can hear on these audio files? It is something close to “nothing”. No clear particular sound objects, no dramatic movements, or even no specific audio atmosphere. Maybe a little of distant wind’s breath. Maybe some touch of dry summer grass. Maybe some echo of Bird-Queen singing her eternal song. Maybe the memory of ancient Godness walked these fields long before us. Maybe it’s just the vibration of Earth. Maybe it’s just our imagination. Too many “maybe” you can hear there…

Alan and I composed our pieces based on these original recordings and layers of processed/altered/filtered etc. variations of sounds.

Learn to listen to nothing and you will get to hear everything.”
– Edward Sol

Released October 25, 2022

Edward Sol – field recordings & tapes, sound sources recorded in Ukraine
Anla Courtis – field recordings & tapes, sound sources recorded in Argentina
Artwork by Alexander Khaverchuk
Layout by Zavoloka
Release produced by Dmytro Fedorenko

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Amistad
Volumen 666
Lima 2022
Re-edition
Lima Perú 2018
Diosito-jpg

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Pocket-sized street furniture catalogue expresses love for scraps of wood, tattered oilcloth, pieces of organolith and other derelict materials. This furniture is super-nature layer dissolved in our cities. Collection of furniture is protected from the modern habits of fast consumption and meets the highest aesthetic standards. It is free of superficial, fashionable tendencies. Through its simplicity and logic, it reflects the honesty and authenticity of the materials from which it is made.

Numbered, third edition of 50
2022

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Since the end of the 90s, Laurent Jeanneau, aka Kink Gong, has been recording the musics of mostly endangered minorities mainly in Southeast Asia. Alongside his relentless pursue of collecting predominantly unknown and unpublished musics, he produced a series of remixes combining these recordings with natural sounds, archive material and electronically treated sounds.

Released April 1, 2012

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