Mousse Magazine #40.
Including :
Laura Poitras, Matt Wolf, Rachel Rose, Adriano Costa, Gavin Kenyon, Lucien Smith, Josh Kline, Ariana Reines, Vanessa Place.
The Resistance to Symbols, Outside Art. After Venice, Thinking Contemporary Exhibitions, After Effects: Art and Technology, Then and Now, Artists and Workers.
Price: D €9
Quick #9 – Alexandra Leykauf: désespoir d’opale.
Quick Magazine #9
September 2013
32 pages
21 x 14,5 cm
4 colour stencil print
Price: €7
The Burning Sand Vol. 2. Sarah Lowndes (Ed.).
The Burning Sand
prose, poetry and art magazine
Edited by Sarah Lowndes
Designed by Sophie Dyer & Maeve Redmond
Published twice yearly in Glasgow
Price: €4.70
Splash #01: Bjarne Melgaard.
‘The last days of Theresa Duncan’. Drawings by Bjarne Melgaard.
Price: D €10
Carpark #6.
Featuring work by:
Hisham Akira Bharoocha, Sarah Maurer, David Richardson, Jan Håkon Robson, Maya Rochat featuring Aurélien Ballif, Mathias Sterner, Synchrodogs, Constantine Tsapaliras, Logan White, Mario Zoots
116 pages.
Price: D €15
Motto Disco 10: M.E.S.H.
Motto Mix 10: M.E.S.H. by Mottobooks on Mixcloud
M.E.S.H. (PAN / Dyssembler / JANUS) is Berlin based producer, James Whipple. He provides the tenth installment of the Motto Disco series.
Economy Class (poster). Stefan Marx. Dashwood Books
Edition of 150
25€
Buy it
Our Group Wourk, Ziga Testen, Peter Rauch, Cornelia Durka.
‘Work’, how does one spell it even? There is only one way to describe what we did during that time, which is ‘to make things ours’, to be upfront about the collectivity, about the conditions of our output.
It was our group, and hence what we announced to be presented in the exhibition at SKC in 1979 on that poster became part of our wourk. If you wish to argue that there is no meaning to be ascribed to that lapsus, so be it. But I was there, I saw our group wourk.
“Our Group Wourk” is an attempt to NOT write a biography of Yugoslavian graphic designer Dragan Stojanovski. Stojanovski was the in-house graphic designer at SKC Belgrade (student cultural centre), a state-funded cultural institution established after the 1968 student uprisings to contain, pacify and institutionalize student culture as an “organized alternative”. At the same time, it was a place of avant-garde experimentation and new forms of political activism and self-organization. Dunja Blazevic, a director of the visual arts department at the SKC in the 1970s refers to Stojanovski as Yugoslavia’s first conceptual designer.
This publication was prompted by conversations and encounters with Sasa Stojanovski, Biljana Tomic, Sklavko Timotijevic, Ljubinka Gavran, Milica Tomic, Slobodan Jovanovic and Dunja Blazevic with Ziga Testen, Peter Rauch and Cornelia Durka in Belgrade in April 2013.
Published by Konstfack University College of Arts, Crafts and Design.
If it wasn’t for the support of CuratorLab – Konstfack University College of Arts, Crafts and Design in Stockholm, this publication would not have been possible.
Softcover, 80 pages.
Price: D €8
Sometimes I cannot smile, Piergiorgio Casotti.
Part of Casotti’s “Arctic Spleen project”, Sometimes I Cannot Smile is documentation on the problem of teen suicide in East Greenland. The book is a personal, intimate journey inside the Greenlandic juvenile world where nature, violence, boredom and a strong cultural legacy have been claiming for decades the highest and saddest “toll”. That of hundreds of young lives.
Hardcover, 168 pages.
Price: €37
