Gagarin #29

Posted in Uncategorized on February 17th, 2015

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GAGARIN
29/2014

The Artists in their Own Words

with original texts by
Valentin Carron
Chiara Fumai
Erik Van Lieshout
Oscar Murillo
Goshka Macuga
Leo Copers
Jananne Al-Ani
Sven ‘t Jolle

GAGARIN
The Artists in their Own Words

is a recent artist’s magazine (°2000), entirely dedicated to thepublication of especially written and unpublished texts by artists whoare now working, anywhere in the world. Each issue contains a number ofartists’ writings, if possible from an equal number of countries. Thetexts are published in their original language and alphabeticalwriting, with unabridged translations in English added. Advertising andvisual material are deliberately kept out. In collaboration with theResearch Centre for Artists’ Publications / Archive for small Press& Communication (ASPC) at the Neues Museum Weserburg in Bremen(Germany), GAGARIN features a supplementary Index of Artists’ Writingspublished world wide. GAGARIN is indexed in Art Biography Modern ABM byCambridge Scientific Abstracts, Oxford, UK. GAGARIN is aimed at thosewho do not tend to wait until everything is accepted and synthesisedand those who are prepared to leave the road to search for stimulatingart and ideas while they are still fresh. GAGARIN does not restrictitself to a particular period or import and runs trough the codes thatare applied in the world of art. Its orientation is artistic,documentary and historical. GAGARIN also aspires to provide an accuratesource of information about the collaborating artists, using their ownwords.

17€

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Pierre Leguillon – Le Tapis (Fair Use). WIELS, Roma Publications

Posted in Uncategorized on February 16th, 2015
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Le_tapis_Pierre_Leguillon01Le_tapis_Pierre_Leguillon02Le_tapis_Pierre_Leguillon03Distributed on the occasion of the exhibition ‘The Museum of Mistakes: Contemporary Art and Class Struggle’, conceived by Pierre Leguillon and bringing together works he has created over the last fifteen years from reproduced images, this folding brochure/poster continues in this spirit by mimicking the economy of means and autonomy of images Leguillon deploys in his work. It proposes an exhibition model that attempts to foil or declassify the hierarchies of art, as each work is informed by a principle of movement, or even reversibility, and reflects a perpetual process of emitting and receiving information, spurring us to rethink the conditions of the reception of art.

15€

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Rossella Biscotti – For the Mnemonist, S. – WIELS + Roma Publications

Posted in Uncategorized on February 16th, 2015
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For her first solo exhibition in Belgium, acclaimed Italian artist Rossella Biscotti draws a trajectory across spaces that evoke important historical processes and links them to the sciences of the mind. This book, published in conjunction with the exhibition, follows this example by interweaving narratives in relation to the concrete and discrete architecture of memory, dreams, and ideas. While revisiting sites of punishment, the gathering of works embodies the ability of the human mind to resist oppression, tracing individual destinies or collective endeavours through a combination of materials, language, and scientific techniques. With a text by Adam Kleinman. Design: Louis Lüthi.

25€

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Nobody owns the beach, David Horvitz

Posted in poster on February 16th, 2015
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Poster by David Horvitz
silkscreened
46 x 61 cm

20€

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5 PTOHOGRAHPIES — 40 × 28 CM, Paspier

Posted in Exhibition catalogue, food, photography on February 16th, 2015

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«5 PTOHOGRAHPIES — 40 × 28 CM» by Paspier

Consisting of five pictures, this big format portfolio presents the Ptohograhpies series Roches Mammifères — Dissimulaits, a naturalistic study of cheese in
the process of molding. In June 2014, the series got awarded the Berlin Art Prize for Best Concept.

The Ptohograhpies are origianlly from France and Englnad. They have been epxosed to the lihgt for the vrey frist time in 1812. Since then wtih a very sepcific tcehnique, they recorded in piostiv and nagetiv ways, imegas of objcets, persons, aminals, ladnscapes,
and ohter scenes…

Edition of 350

Price 45€

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Kaleidoscope #23

Posted in magazines on February 7th, 2015

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Welcome to Kaleidoscope’s #23 (Winter 2015). Following the recent, successful redesign by Bureau Mirko Borsche, we are back with a brand new issue. The new formula is taking shape, new columnists and contributors are joining our ranks, and a lot of enthusiastic research went into curating the most compelling content out there.

In the opening section of HIGHLIGHTS, twelve profiles account for the best of the season: JASON MATTHEW LEE (by Alexander Shulan), DANIEL BAUMANN (by Aoife Rosenmeyer), Marilyn Minter (by Gianni Jetzer), MAGALI REUS (by Ruba Katrib), KNOW WAVE RADIO (by Alexandre Stipanovich), BEATRICE GIBSON (by George Vasey), CATHERINE AHEARN (by Tobias Czudej), K-HOLE (by Kevin McGarry), JAMIAN JULIANO-VILLANI (by Joshua Abelow), ALESSANDRO BAVA (by Francesco Garutti), ZHAO YAO (by Venus Lau), and IDEA BOOKS (by Xerxes Cook).

At a time when feminism resurges both in critical discourse and media headlines, while at the same time entering a list of words overdue to be banned, our signature MAIN THEME section is devoted to a reconsideration of female identities and role models. POST WOMAN is composed of a think tank, a think piece by Natasha Stagg and five interviews, including with Juliana Huxtable (by Andrew Durbin), Amalia Ulman (by Francesca Gavin), Judith Bernstein (by Hanne Mugaas), Massimiliano Gioni (by Pietro Rigolo), and Girls Like Us (by Felix Burrichter).

To folow, this issue’s MONO section and cover story are dedicated to Norwegian artist IDA EKBLAD. Fueled by an outright marvel for this thing called art, her work is distinguished by an extreme degree of impatience and prolificness. Her shift and turns are the result of a feverish engagement with pure materiality, synthesized with popular culture and animated by alien transformations. This definitive monographic survey comprises an essay by Peter J. Amdam, an interview by Cory Arcangel and an original portrait by Sølve Sundsbø.

Later on, the VISIONS section invites the eye to an enthralling journey across almost 100 pages of visual contributions by artists, curators and image-makers, including: TOBIAS ZIELONY, “Jenny Jenny”; MR.; “Chicago”: BARBARA CRANE and TONY LEWIS; DAVID DOUARD in Los Angeles; JONAS WOOD; “Alliantecnik,” curated by Alessio Ascari; TIMUR SI-QIN, “Premier Machinic Funerary”; and GRAHAM LITTLE.

Lastly, the closing section of REGULARS features our insightful columns on the past, present and future of art and culture: PRODUCERS features Carson Chan’s conversation with Ballistic Architecture Machine; in FUTURA 89+, Hans Ulrich Obrist and Simon Castets interview young artist Philipp Timischl; Andrey Bold questions TOKYO’s art scene as part of the PANORAMA series; in PIONEERS Fredi Fischli and Niels Olsen talk to cult Swiss designers Trix and Robert Haussmann; and in the first installment of RENAISSANCE MAN, Jeffrey Deitch celebrates the art of choreographer KAROLE ARMITAGE.

Price € 10.00
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João Maria Gusmão + Pedro Paiva: Teoria Extraterrestre. Mousse Publishing

Posted in Uncategorized on February 6th, 2015
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João Maria Gusmão + Pedro Paiva, with Alberto Salvadori, eds.

Texts by Mattia Denisse, Luigi Fassi, Chris Fitzpatrick, Xavier Franceschi, Massimiliano Gioni, João Maria Gusmão, Katia Mazzucco, Philippe-Alain Michaud, Olivier Michelon, Alice Motard, Pedro Paiva, Gonçalo Pena, João Ribas, Alberto Salvadori, Antonio Scoccimarro, and Marcus Steinweg
For almost 15 years now, the two Portuguese artists João Maria Gusmao + Pedro Paiva have been constructing an imaginative journey through films, photographs, installations, and sculptures that encapsulate philosophical, existential, and conceptual issues.
Produced in conclusion to a series of exhibitions—which began in 2011 with “Alien Theory” at frac île-de-france, and le plateau in Paris, by way of Museo Marino Marini in Florence, and ended with “Papagaio”, 2014–15 (premiering at HangarBicocca in Milan then moving on to the Camden Arts Centre in London)—Teoria Extraterrestre is the most complete monograph to date on João Maria Gusmão + Pedro Paiva, condensing nearly four years of work and thought that have been compiled into a film cosmogony by the artists themselves.

Publisher: Mousse Publishing
Language: English (Italian and French booklets)
Pages: 256
Size: 19 x 21.7 cm
Binding: Hardcover
ISBN: 9788867491339
Price: €35.00

PALATTI AR AI @ Motto Berlin. 07.02.2015

Posted in Events on February 6th, 2015

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PALATTI AR AI (Moving Multiples & Palatti 2015) @ Motto Berlin
February 7th, 7pm

+ from 9pm @
Kotti-Shop Adalbertstr. 4, 10999 Berlin, Neues Kreuzberger Zentrum
www.kotti-shop.net

PALATTI AR AI (new publication!)

It is late summer, together we stroll over the hill at Birli, along the Moosbach and the Goldach, we converse in various languages, and wander through the forest. We meander. We find mushrooms in the undergrowth, stones and snake sticks. We climb over fences, cross brooks and gaze into the water. We arrive at the Chastenloch, this mystical meeting point of trails, and we drink cider. Then we go our separate ways, taking the explorations and findings of the day to the next stage (…) From: Moving Palatti by Ursula Badrutt

The artist network Palatti proudly presents a new publication – a follow-up project to the 2013 residency at the Birli. From May-October Palatti was working in East Switzerland at the house of Dr. René und Renia Schlesinger Foundation in Wald, Appenzell in the framework of the 500 years anniversary festivities and the culture project Ledi – The Traveling Stage. The artists took the experience and their individual project as starting points for the artist booklets that have been developed for this publication.

Content:
Aurelio Kopainig – Wald (some kind of forest)
Julia Mensch – Bibliothek
Musquiqui Chihying – The Political Brain Constitution
Nicolas Novali – Incubatio
Betty Ras – Peek Mountain
Barbara Signer – Mi Casa Es Tu Casa
Paul Steenberghe – Appenzeller Metzgete
Text by Ursula Badrutt – Palatti bewegen/Moving Palatti

Edition: 720.
Published by Moving Multiples, Amsterdam & Palatti, 2015. ISBN/EAN 9789078020004
With the support of: Ledi – The Traveling Stage of AR◦AI 500, Stiftung Kunstfonds, Innerrhoder Kunststiftung, Hof Weissbad, GOBA AG
http://www.palatti.net/

Ricarda Roggan. Apokryphen. Spector Books

Posted in Exhibition catalogue, photography on January 30th, 2015
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Over the past two years Ricarda Roggan collected and loaned from various museums and institutions objects which originally belonged to a key figure in the German cultural canon. She photographed them like the ceramic fish once owned by Ricarda Huch or Martin Heidegger’s pocket watch. These objects remain as artefacts in collections and have no intrinsic value. They only take on historical significance when they are shown in public, suffused with an awareness of the identity of their former owners. But what will remain of an object once it has been taken down from its pedestal only to disappear again in the archives? The artist locates her photography in the gap that is created between the knowing viewer and the photographed object and asks the question: Can photography preserve and convey the original auras of these everyday objects? Apocrypha was shown in 2014 in the Echo exhibition at the Kunstverein Hannover and at the Wilhelm Hack Museum in Ludwigshafen.

28 x 21 cm + 15 x 9,7 cm
€28.00

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Space for Visual Research. Spector Books

Posted in photography on January 30th, 2015
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Space for Visual Research. Spector Books
edited by Markus Weisbeck, Mathias Schmitt, Michael Ott

The Space for Visual Research was established at the Bauhaus-University Weimar in 2013 as a workshop and laboratory for experimental research into new graphic, abstract and visual worlds. The Space’s mission is to support the exploratory urge for new aesthetics, in particular by empowering design students to create their own individual imagery. The resulting Space for Visual Research publication is a lab book, a log of visual experiments conducted using physics, chemistry, optics and reproduction technology as starting points for image production. Technical explanations open up possibilities for customized reproductions of each visual experiment presented here, while commissioned interviews and essays as well as a hand-picked bibliography render Space for Visual Research a useful reference tool for visual research generally today.

With texts by Alex Marashian, Liam Gillick, Karl Schawelka and Sophia Gräfe.

26€
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