Motto Pop-Up Bookshop @ Wendy’s Subway, Brooklyn, 19-28.02.16 + Talk with Where’s Lucy Hunter & R. Lyon / Artwork by Kayla Guthrie, 21.02.16

Posted in Events, Exhibitions, Stores on February 16th, 2016
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Motto is pleased to present a pop-up bookstore at Wendy’s Subway, a non-profit library and workspace located in Bushwick, Brooklyn. The store will be open Feb 19-28, 12-7 p.m., with a talk by Where’s Lucy Hunter & R. Lyon / Artwork by Kayla Guthrie at 7 p.m. on Sunday 21.02.16. This pop-up is the first in a series of curated libraries, shops, and collections displayed in the storefront of Wendy’s Subway’s new Bushwick location.

Where is a think tank and publishing platform headquartered in a shipping container in Brooklyn, NY. It is co-produced by historian Lucy Hunter and artist R.Lyon, who use the think tank as an opportunity to research information theory through experiments with the exhibition format. They publish their findings in book-length on-demand publications. For their talk at Wendy’s Subway, Hunter and Lyon will discuss, among other things: libraries, completeness, empire, and the past. Refreshments will be on hand to lighten the load. The talk will begin promptly at 8pm.

Kayla Guthrie will display a page from her most recent artist book, Sunsets Working (in collaboration with Nathan Antolik, calligraphy, and published by Bodega, New York) in the window. Kayla Guthrie is an artist working in writing, sound, and visual mediums. Her EP Blue was released in 2015 by Mixed Media Recordings. She has performed at Greene Naftali, Kunstakademie Düsseldorf, Massimo de Carlo (London), and the Whitney Museum of American Art. She is the curator of Intra Phenom, a New York-based performance series presenting the work of female artists in live and durational genres.

Wendy’s Subway
*New Location*
379 Bushwick Avenue
Brooklyn, NY 11206

http://www.wendyssubway.com/

Mousse #52. Edoardo Bonaspetti (ed.)

Posted in magazines, writing on February 15th, 2016
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IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT
by Sabrina Tarasoff
MARC CAMILLE CHAIMOWICZ
At the Tip of my Fingers
by Eva Fabbris
THE RECOGNITIONS
by Than Hussein Clark and Charlie Billingham
THE IMPERMANENT COLLECTION
by Jennifer Allen and Giaco Schiesser
THE IMPORTANCE OF BEING AN INFLUENCE
by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille Henrot, Cheyney Thompson, Rayyane Tabet, Liz Magor
SUNSET DÉCOR
by Magalí Arriola
LOTHAR BAUMGARTEN
The Political Discourse of the Time
by Jesús Fuenmayor
THE PUBLIC LIFE OF THE IMAGINATION
by João Ribas
ROBERT GROSVENOR
Hypervolume in Hyperspace
by Hans Ulrich Obrist
FORGET ABOUT THE MIDDLE CLASS
by Chus Martínez
CEAL FLOYER
The Pros and the Cons
by Christian Jankowski
NEVINE MAHMOUD
Playtime
by Andrew Berardini
HENNING FEHR AND PHILIPP RÜHR
No Script
by Niels Olsen and Fredi Fischli
[A TAXONOMY OF NON-SENSE]
by Domenick Ammirati
JESSI REAVES
An Ideological Revision of Furniture Design
by Josephine Graf
LUCAS ARRUDA
A Utopian Balance between Light and Shadow
by Kiki Mazzucchelli
ANA VAZ
Discovering the World
by Filipa Ramos
LIS RHODDES AND AURA SATZ
Seeing is Never Believing
by Agniesszka Gratza
A STUDY IN PETULANCE
by Michael Turner

€10.00

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Alienation. Ana Gzirishvili. გაუცხოება. ანა გზირიშვილი

Posted in writing on February 13th, 2016
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Language: Georgian, English

Artist book
edition of 50

€15.00

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Salesse. Nouveau Monde. Michaël Houlette. Daniel Coutelier (eds.)

Posted in photography on February 10th, 2016
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French photographer Henri Salesse observed through his lens a radically changing France in the second half of the 20th century. Although creating this unique work as a civil servant photographer of the Ministry of Reconstruction and Urbanism, Salesse’s medium-format photographs reveal that he went beyond his mere task of providing a “technical verification”. Salesse grasped the deep transformation of his contemporary France.

In 80 images and a concise introduction by Michaël Houlette and Daniel Coutelier, the exhibition catalogue Nouveau Monde allows a unique insight into the socio-economic context and the state of reconstruction in France from the post-war years until the 1970s.

€20.00

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, Even #3. Jason Farago (Ed.). Even Magazine

Posted in magazines, Uncategorized on February 10th, 2016
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,Even #3_JasonFarago_motto,Even #3_JasonFarago_motto2,Even #3_JasonFarago_motto3,Even #3_JasonFarago_motto4,Even #3_JasonFarago_motto6,Even #3_JasonFarago_motto7,Even #3_JasonFarago_motto8

Even is a new magazine that interprets contemporary art, its structures and its environment. Published three times a year, Even features long-form articles that range from monographic studies to broad critical analysis; distinctive reviews that take in multiple exhibitions at museums and galleries worldwide; and extensive interviews with artists and arts professionals.

Even seeks to break the deadlock between academic obscurantism on one side, and top-ten lists and party coverage on the other. With a unique and legible voice, Even revives the tradition of criticism for the twenty-first century.

€15.00

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Patricia. Bem Inventory. Opal Tapes

Posted in music, Vinyl on February 5th, 2016
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Patricia returns to Opal Tapes and carries on his excursions into dusty analog techno with this six tracker featuring a collaboration with Vancouver-based Cloudface

€17.99

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Calendar 2016. Maximage. Jonas Voegeli. ZHdK

Posted in graphic design, printmaking, typography, workshop on February 4th, 2016
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Produced during a workshop held by Maximage at the University of the Arts Zurich, ZHdK. All lines were engraved manually on aluminum offset plates by the students:

Jaqueline John (January)
Ruben Brändli (February)
Tobias Leuenberger (March)
Rahel Preisig (April)
Kathrin Grossenbacher (May)
Dennis Ginsig (June)
Julia Felber (July)
Kerstin Barth (August)
Janina Hess (September)
Victoria Knabe (October)
Johannes Inauen (November)
Salome Grand (December)

Head: Jonas Voegeli
Tutors: Maximage
Print: Printoset
Paper: Munken Lynx
Edition of 250 copies

€15.00

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Panorama (The Right of View), Istanbul 2010. Amt _ project (ed.) Sputnik Editions

Posted in Exhibitions, writing on January 30th, 2016
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A panorama of the city, a public platform, a dysfunctional lookout, blocking the actual view but confronting the viewer with textual observations of the city and the condition of the view in Istanbul, „Panorama (The Right of View)“ was a traveling attraction and an architectonic sculpture. After standing in Kadiköy, on the Asian shore from october-december 2010, looking across the Bosporus onto the city, it was moved to Eminönü for the spring of 2011, into the middle of the city, on the shore of the Golden Horn, next to the Galata bridge, the Spice Bazaar and the New Mosque.
The publication documents the project and presents the full length of the panorama’s text panel in a 3,5 meter printed leporello.

About author: Andreas Fogarasi (born 1977 in Vienna), studied architecture and fine arts in Vienna and Paris, lives in Vienna. His work has been exhibited widely, including Museo Tamayo, Mexico City; GfZK Museum of Contemporary Art, Leipzig, Museum Haus Konstruktiv, Zürich; Grazer Kunstverein; Mücsarnok Budapest; Kunstverein Düsseldorf; Museo Reina Sofia, Madrid; MSU, Zagreb; Georg Kargl Fine Arts, Vienna; Lombard-Freid Projects, New York; Ludwig Forum, Aachen; Palais de Toyko, Paris and at the 52nd Biennale di Venezia 2007, where he was awarded the Golden Lion for best national participation. In his works, Fogarasi uses forms of display that are reminiscent of minimalism and conceptual art to explore questions of space and representation. Located between documentary and sculptural practice he critically ana- lyses the aestheticization and economization of urban space and the role of architecture and culture in con- temporary society. Incorporating video, sculpture and installation in wide-sweeping discursive webs, Fogarasi deals with fault lines in historiography, imagineering and cultural identities. Solo exhibitions (selection): GfzK. Museum of Contemporary Art, Leipzig; Museum Haus Konstruktiv, Zurich (2014); Galerie Cortex Athletico, Paris (2013); Prefix Institute of Contemporary Art, Toronto; Trafó, Budapest (2012); Museo Reina Sofia, Madrid; CAAC, Sevilla (2011); Ludwig Forum, Aachen; Georg Kargl Fine Arts, Vienna (2010); MAK, Vienna; Ernst Museum, Budapest; Lombard Freid- Projects, New York (2008). Group exhibitions (selection): Museo Tamayo, Mexico City; New Museum, New York (2014), Grazer Kunstverein, Graz; CAC, Vilni- us (2011); MSU, Zagreb; Mücsarnok, Budapest (2010); 52th Biennale di Venezia; Kunstverein für die Rhein- lande und Westfalen, Düsseldorf; European Kunsthalle, Cologne (2007); MAK Center for Art and Architecture, Los Angeles (2006); Palais de Toyko, Paris (2003); Manifesta 4, Frankfurt / Main (2002).

€12.00

 

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Vol. I, family. Petra Feriancová. Eros Press

Posted in photography on January 30th, 2016
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This is the first volume in a series of books by Slovak artist Petra Feriancová involving the contemplation of associations between images drawn from the author’s substantial archive. In this volume they navigate between ideas of reproduction and maternity in the animal and plant kingdoms, as well as in our own society. It is possible to observe these images individually, or sequentially, running along a horizontal axis.

€28.00

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Gagarin #31. Wilfried Huet (Ed.). GAGA vzw

Posted in magazines, writing on January 29th, 2016
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GAGARIN
31 / 2015

with original texts by
Christina Iglesias
Shreyas Karle
Peter Buggenhout
Nikolaus Gansterer
Diego Tonus
Olafur Eliasson
Araya Rasdjarmrearnsook
Ben Kinmont

€17.00

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