032c Issue #21 – The Culture

SCOTT CAMPBELL, the young and famous tattoo artist features in this issue’s 40-page cover dossier, complete with poetry from French modernist FRANCIS PICABIA and a little-known short story by SYLVIA PLATH. Elsewhere AZZEDINE ALAÏA bares his love for animals and women; English artist HELEN MARTEN builds a page-specific installation; dream boys OLAFUR ELIASSON and KEVIN KELLY get techno-Utopian; AL-JAZEERA proves it’s the media outlet of the new millennium; LUCAS OSSENDRIJVER takes LANVIN to the frontiers of men’s wear design; FERNANDO ROMERO builds an art museum in Mexico for the world’s richest man; DANKO and ANA STEINER go downtown with LEELEE SOBIESKI and Salem’s JOHN HOLLAND; Munich magazine magnate Dr. HUBERT BURDA talks tabloids and media theory while the king of arts publishing WALTHER KÖNIG takes us back to the first German art world boom; JUERGEN TELLER shoots KRISTEN McMENAMY in CARLO MOLLINO’s Turin estate, testing the Mollino mantra, “Everything is permissible as long as it is fantastic”; New York’s DIS magazine invades our Global Briefings section; 032c’s latest SELECT presents the best of this season’s books, products, ideas and much more on 276 pages.

D €10
EU €12

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Rosalind Nashashibi Catalogue

Designed by Sara De Bondt, edited by Isla Leaver-Yap.

ICA and Bergen Kunsthall, 2009
Paperback, 136 pages

D 21€

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Baldessari sings LeWitt

Song Book by Toom Tragel (EE)
40 Pages, 21 × 29.7 cm, Second Edition of 100, Rollo Press 2009

“Con-cep-tu-al art-ists are mys-tics rath-er than ra-tio-nal-ists.
They leap to con-clu-sions, that lo-gic can-not reach.”

D 10€

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I Saettatori – Francesco Barocco – Mousse Publishing

I Saettatori is a dual-language (Italian / English) catalogue from Mousse Publishing with texts by Marcello Smarrelli and Francesco Barocco.

The introduction begins: “A minor enigma ruffles the classical composure of the work created by Francesco Barocco, winner of the 12th Ermanno Casoli Contemporary Art Award. The themes that emerged during the creation of this work are typical of his research and are the same themes that have long animated art history debates: the role of the artist, the function of art, its meaning, the genesis of artwork, its relationship with the observer.”

Pages: 30

D 10€

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Kilimanjaro No. 12: Thinking of Collective

Kilimanjaro is a vibrant printed space dedicated to visual culture and editorial experimentation, and aims to generate an environment in which ideas reason with visual pleasure. Contributors stem from different art disciplines including film, fashion, photography and contemporary culture. Issue 12 features Hauser & Wirth, Roman Signer and Damo Suzuki.

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Maximage Formula Guide – Special Colors for Offset Printing

The Maximage Formula Guide Special Colors for Offset Printing is an 80-page book of colors developed by 1CVdg students during a workshop held by Körner Union and Maximage, with the kind help of Carole Courtillé and Violène Pont. Papers printed on include: Uncoated – Amber Graphic 200g/m², Coated – INAPA Imagine gloss 200g/m², Color – Pop’set Colors 120g/m².

Printed at ECAL by Benjamin Plantier in an edition of 100.

D 35€

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Local Myths/Love Spells – Jennifer Tee – Eastside Projects

Local Myths/Love Spells is a 24-page cut-book with 22 inserts, including foldout posters, postcards, and booklets. It was printed on the occasion of Jennifer Tee’s September 25 to November 6, 2010 exhibition of the same name at Eastside Projects. Also includes a prologue by Gavin Wade and an essay by Monika Szewcyk.

Designed by Niessen & de Vries and James Langdon
Printed by Mart. Spruijt, Amsterdam

D 23.50€

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Elias Arnér & Per Hüttner & Åbäke – (In)Visible Dialogues, Dent-De-Leone

(In)Visible Dialogues is a project at Konstakademien in Stockholm which includes a number of internationally acclaimed speakers from different disciplines. Predrag Petrovic´, A Constructed World, Konrad Kaufmann, Arijana Kajfes, Sandra Masur, Laurent Devèze, Véronique Wiesinger & Hugo Lagercrantz.(In)Visible Dialogues allow art and science to meet in harmony as well as friction. The project brings together leading specialists from Europe, Asia, Australia and USA to stimulate meaningful dialogues about life and the boundaries of reality. (In)Visible Dialogues was initiated by artist Per Hüttner and Elias Arnér, professor in biochemistry at Karolinska Institutet in close collaboration with graphic designers Åbäke in London and a group of sound artists from all over the world. The project is a continuation of Begrepp – en Samling (Concepts – a collection) that was realized by the two former in 1992 at Konstakademin.

www.invisibledialogues.org

Author / Editor: Elias Arnér & Per Hüttner & Åbäke
Pages: 240
First Edition: 900 copies
Language: English & Swedish
Published by: Dent-De-Leone

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Frog Numero 10, été 2011

25 exhibitions reviews, 3 interviews, a dozen exhibitions in pictures, some artists special projects, and the chronicles.

This issue Featuring: Pierre Huyghe, Didier Marcel, Guy Debord, son art et son temps, Benoît-Marie Moriceau, Les psychonautes, Elmgreen & Dragset, John McCracken, Jean Veilhan, 8th Qwangju Biennale, Oscar Niemeyer, Allan McCollum, Olaf Nicolai, Herzog & de Meuron, Karen Kilimnik, Paul Winstanley, Sgrafo vs Fat Lava, Marc Camille Chaimowicz, Marina Faust…

Edited by Eric Troncy and Stéphanie Moisdon, Frog is an international art and architecture magazine.
Graphic design: M/M (Paris).
Text only in French

D 18€

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Karl Holmqvist – Peep-Hole Sheet #08, A Trip to Tangier . Mousse Publishing

Working mainly with written, spoken, or performed texts, poet and artist Karl Holmqvist experiments here the potential of the ‘empty spread’ of Peep-Hole Sheet. Investigating thus the inner nature of the medium and its open, ambiguous and sometimes contradictory relations with the ‘caravan of signs moving across it’. His A Trip to Tangier is in fact not only a travel in time and space, conveying a strong sense of awareness and freedom, but is also an hypnotic wandering through the possibilities and limits of language. As for many of his publications and videos, Holmqvist opts here for the sharpness of black and white: “I have stuck with black-and-white because it ’s stylish and refers back to text, and to the idea that all of reality could be seen as a type of writing or an act of communication.”

Published by Mousse Publishing
Text in English and Italian

D 10 €
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