In this issue, we want to take you on a journey from the innerworld to the outerdepths. A journey that begins with the shallows of human fears, needs and expressions, and ends with a view of dystopian (or maybe utopian?) future scenarios. Divided into two episodes, we invite you to explore the shadowy vastness of your imagination. In “modes of expression,” you’ll find content on issues of inequality, identity and nostalgia: in “imagined futures,“ we offer you a glimpse into absurdity.

Subworlds exist parallel to the now. They remain underground and are subconscious. Beginning at the point of discomfort for the mainstream, subworlds are deliberately – or inherently – disturbing, different and provocative. In this issue, use this exclusive subworld as a learning platform. A variety of modalities and disciplines await. From art painting and photography, sculpturalism and 3D art, to clay and handwork, the thoughts and feelings of nine contributors are into these 138 pages of subworld episodes.

Featured artists: Tyler Cala Willams, Ingrato, Siilk Gallery feat. Jonny Kaye, Rick Castro, Moyosore Briggs, Xena Magali, Kseniya Vaschenko, Saint Profanus, Lazygawd, Bodysnatchers, Malte Bartsch, Solo Show, Guerrilla Bizarre feat. Isabella

Contributors: Jacopo Borrini, Marius Thielmann, Rebecca Took, Illaria Sacchi, Miriam Partington, Marie-Christine Lümen, Smilla Marcussen, Meret Scheppach, Hyesoo Chung

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Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalization of the Indian economy. Plastic toys, celebrity mud flaps, and postmodern architecture collide into a new formal category—both celebrated and derided—as Praneet Soi traverses the city on his trusted Yamaha RX 100.

Published for the first time by Reliable Copy and Sharjah Art Foundation, Urban Kitsch was written as part of Praneet Soi’s Master’s in Painting at the Faculty of Fine Arts, Maharaja Sayajirao University of Baroda. The complete facsimile of this dissertation is accompanied by a recent interview with the artist by Nihaal Faizal and Sarasija Subramanian.

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Fall 2022

Editorial
Hiatus

Unspoken and Overheard: Archives, Accounts, and Acts at the Memorial to Enslaved Laborers at the University of Virginia
Eric Höweler

Real Estate Bubble Architecture: On the Complicity Between Design and Real Estate
Lluís Alexandre Casanovas Blanco

A Kitchen Is Not A Refrigerator
Ben Goldner & Emma Leigh Macdonald

Log-in Labor, Log-in Leisure
Alessandro Orsini & Nick Roseboro

Continuity and Change: Consideration of Urban Littoral Ecology
Magdalena Haggärde and Gisle Løkken

Reviews
Isabelle Kirkham-Lewitt, Ed., “Paths to Prison: On the Architectures of Carcerality,” by Daphne Bakker; Ana María León, “Modernity for the Masses. Antonio Bonet’s Dreams for Buenos Aires,” by Florencia Alvarez Pacheco; Daniel Barber, “Modern Architecture and Climate: Design before Air Conditioning,” by André Tavares; Smiljan Radic, “Obra Gruesa,” by Matthew Kennedy.

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Fall 2000 issue of Nest: A Quarterly of Interiors. 

Special edition wrapped with a plastic slipcover.

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ca. 100 Hundetüten gesammelt von Simon Freund, kuratiert von Leonie Herweg, gesetzt von Paul Jürgens, mit Texten von Sophia Eisenhut und Olga Hohmann. Jedes Buch ist ein Unikat, die Anordnung der Bilder variiert.

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In the United States, there are many cities called Rome. These pictures document the photographer’s journey from Rome to Rome across North America. Fuelled by a curiosity for these parallel ‘eternal’ cities, this body of work subtly mixes genres. Here, the American road trip meets the postcards of imperial Rome. Both subjects have been overly photographed; with their essence exhausted by representation, the allure of the American Dream and a never-ending fascination with the remnants of history.

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This publication is part of Motion, a major exhibition by Dutch artist, graphic designer, and educator Karel Martens at Kunstverein München.

Co-edited by Martens and Julie Peeters, the bulk of the content for this book comes from the video Not for Resale – a sequence of photographs from Martens’ studio wall in Hoog Keppel in 2000. The videos Lost & Found (2004), and Tol (2008) are also included in the book, as well as a transcription of a conversation between Martens and Kunstverein director Chris Fitzpatrick, followed by an afterword (both in English and German).

Edited by Karel Martens and Julie Peeters
Texts by Chris Fitzpatrick and Karel Martens
Designed by Julie Peeters

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6 Graphic Etudes, Richard Scott, arbitrary, 2022

Dear friends and colleagues, 

We hope you had a great start to 2023!

After a very brief hiatus we are back on deck and ready to share with you our newest musical arrivals. Make sure to check Motto’s full catalogue for an immersive experience and our Motto Disco page, revived and refreshed especially for your ears.

To hear a selection of sounds from these albums, follow this link to our new mix created by Max Parnell.

The mix features sounds from:

King Gong
Accou
Richard Scott
Kristen Oppenheim
YL Hsueh
Vladislav Delay & Eivind Aarset
Sonic Boom / Papiro
DJ Fusiller x Fusiller

We hope you enjoy!

Over the years 1919–20, the celebrated medical scientist and doctor Carl Julius Salomonsen began giving public lectures and publishing pamphlets regarding a new “epidemic” that had begun to affect the European populace: the increasing ubiquity of modernist art.

In a 1919 pamphlet titled New Forms of Art and Contagious Mental Illness, he wrote: “We stand, at this moment, before a movement in art which is psychopathic in character, and whose victorious journey through all countries is probably caused by the same spiritual disease that gave the older, religious spiritual epidemic such a powerful spread.” This pamphlet and the accompanying talks were countered by a retaliatory pamphlet published by members of Grønningen, a Copenhagen modernist painters group, to which Salomonsen responded with a further pamphlet.

Translated into English for the first time by literary theorist Andrew Hodgson, the entire altercation is gathered in this book, documenting one of the earliest rejections of modernist art.

Edited & Translated by Andrew Hodgson

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