YES YES YES Alternative Press, Exhibition & book display @ Motto Berlin

Viaindustriae & a+m bookstore with COLLI Independent

Opening Friday 3rd February from 6:30pm
Exhibition from 4rd February – 11th March, 2017

artists / poster projects:
Dallas, Dexter Sinister, Experimental Jetset, Will Holder, Pauline Kerleroux & Adéla Svobodová, Prill Vieceli Cremers, Studio Hato, Batia Suter.

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YES YES YES Alternative Press
’66-’77 from Provo to Punk

Co-published by VIAINDUSTRIAE publishing / A+mbookstore, Milano
in collaboration with COLLI publishing platform

Edited by Emanuele De Donno / Amedeo Martegani
Graphic Design, Dallas (Francesco Valtolina & Kevin Pedron)

Interviews and texts by Melchiorre Gerbino, David Goines, Matteo Guarnaccia, Steven Heller, James Herod, Coupey Pierre, Trina Robbins, Gianni Emilio Simonetti, Coen Tasman, John Wilcock.

Newspapers and Zines
Aloha, Avatar, Bauls, Berkeley Barb, Berkeley Tribe, Big Muddy Gazette, The Black Dwarf, The Black Panther, The East Village Other, Fapto, Fire!, Freedom News, Friends, Gay, Gay Power, Gay Scene, Gay Sunshine, Georgia Straight, Good Times, The Great Speckled Bird, The Haight Ashbury Free Press, Helix, Hitweek, Idiot International, Iets, Insekten Sekte, The International Times, Juche, Kabouterkrant, Kaleidoscope, King Kong International, Kiss, Liberated Guardian, Los Angeles Free Press, Loving Couch Press, Mondo Beat, Muhammad Speaks, The New York Review of Sex, Nola Express, Old Mole, Open City press, Oracle Los Angeles, Oracle San Francisco, Other Scenes, OZ, Peninsula Observer, Pleasure, Provo, Quicksilver Times, Rat (Rat Subterranean News), Real Free Press, Re Nudo, Revo, Rising Up Angry, San Francisco Ball, San Francisco Express Times, Screw, Search & Destroy, The Seed, Sniffin’ Glue, Southern Free Press, Spy-In, Styng, Suck, Virginity, Washington Free Press, Witte Krant

496 pages: illus. BW and colour
second edition: 1000 copies
language: english
size: 23×31 cm
50,00 €
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Even Magazine – Issue 6
Edited by Jason Farago.

Featuring:
Essays by Chloé Buire, Frederick Deknatel & Daniel Fairfax.
Interviews with Matthew Barney & Ma Yansong.
Portfolio: The art of Ana Vaz.

Sofcover
Pages: 184
Size: 230 x 165 cm
Weight: 480 g
ISBN: 9780996954945

€15.00

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Miriam Jung @ Motto Berlin. 20.01.2017
from 6pm

Looking At by Miriam Jung
(edition of 200, softcover, 64 pages, printed in Berlin, Germany December 2016)

In summer 2016 I posted an advertisement on craigslist looking for ‘attractive casual men that are comfortable being naked and looked at for an art project: one on one photo session, b/w on film, no make-up or props, definitely no porn.’ Practically all of the replies were driven by a serious interest in joining the project and I met with 7 candidates for an introduction meeting before setting up a date for the session. All sessions were held under the same condition in a daylight studio with me and the model and an analogue camera using a 50mm lens only.

The sessions gave me room to study the male body and to train my view, to explore my own gaze as an ongoing process actually, and to find my own way of representing it in the picture. Nothing about it is a natural action and it initially evoked questions of power relations and social conditioning.

The book Looking At now gathers a picture selection of 5 photo sessions.

Agenda 2017 LET’S GO/
HUR SMART ÄR DU

The artist’s first handy publication this year consists an international business agenda, a magazine and an airport cosmetic bag.
This work has a light and decorative look. It includes pictures and illustrations from the press news showing portraits of celebrities, actors, artists and politicians.

Published by rakete.co

book, brochure and bag
48+20 pages
First Edition 100 copies
€18

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Harvard Design Magazine #43

The more stuff we accumulate, the more space we need to store it all. Vast portions of the landscape are claimed and governed by spaces of storage, their maintenance, and the goods that move through them—or remain buried within them indefinitely.
This issue of Harvard Design Magazine investigates and unpacks the contents, containers, and systems of storage that organize our world.
Storage is the aggregation and containment of the material and immaterial stuff of culture; but also the safeguarding—or hoarding—of energy and tools for some imagined future purpose. How does all this stuff mask or overcompensate for economic and ecological bankruptcy? Is storage about greed or need? Storage, perhaps, is everything we can live without but insist on living with.
“Shelf Life” explores what’s inside the box (shed, tank, urn, vault, crypt, crate, case, pot, bag, vat, morgue, safe, bin, archive, warehouse, cabinet, cellar, cemetery, depository, locker, freezer, landfill, library). Even as we attempt to reduce and recycle, the stuff that we dispose of also needs to be stored. Where do we put it? Our planet is now a saturated receptacle. This warehouse is full, and we’re all inside it.

Edited by Jennifer Sigler & Leah Whitman-Salkin.
Published by Harvard
Language: English
Pages: 199
Size: 30.5 x 22 cm
Weight: 810 g
Binding: Softcover
ISBN: 074470577119

€15.00

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Issue V
The Issue of Narcissism

Narcissus is pretty. Narcissus doesn’t love you.
ECOCORE exploits Narcissus as the symbol of the modern subject. Our imagination of the subject is made intricate by new perspectives on identity, the virtual, transcendence and how our aesthetic embodiment relates to capitalism. What are we as subjects and why is this question so often explored as a discourse of the body? What is our ‘nature’, and how do we get to it? How do we commune with the external as if it weren’t hostile? How do we cultivate an environment we want to participate in? Our psychic/social ecology meets with the environmental in haemorrhage of inner to outer.
Narcissism is pathologised as a personality disorder/a phenomenon/a force that affects our precarious relation to the other. Our tech-driven, screen-gazing society enables a solipsistic narcissism, to the extent that we can identify it as typical of our cultural mood, our pixelated age. Narcissism is easily read as a destructive impulse towards extinguishing otherness, but is also identified as a traumatised and debilitated loving in which the only happy love can be the contained self-love by which all libidinal investment belongs to the ego.
Your mouth is the only part of yourself that you can kiss in the mirror.

Featuring: Gabriele Beveridge, Martin Soto Climent, Patrizio di Massimo, Buck Ellison, DeSe Escobar, Seth Fluker, Isa Genzken, Rochelle Goldberg, Ethan James Green, Hannah Quinlan and Rosie Hastings, Richard Hawkins, Lukas Hofmann, Lars TCF Holdhus / TCF Tea, Adrian Manuel Huber, Benjamin Ahmed Huseby, Emily Jones, Marie Karlberg, Veit Laurent Kurz, Paul Levack, Stefanos Mandrake, Marco Pio Mucci, Josip Novosel, Lisa Radon, Stefan Schwartzman, Ser Brandon Castro Serpas, SSTMRT, Anthony Symonds, Frances Stark, Thomas Tait, Anna Uddenberg, Francesco Vezzoli, Tore Wallert, Phillip Zach, Jamie Sterns, Eli Pitegoff, Michele d’Aurizio, Fabrizio Ballabio, Boris Groys, Kristin Dombek.

€10.00

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GX Jupitter-Larsen is an artist who lives and works in Los Angeles. In Nihil Ad Rem, his well-known performance art group The Haters is extensively documented from its inception to the present. From tearing paper in 1979, to blowing up hillsides in 1986, to amplifying erosion during the 1990s and 00s, to recent paintings, Jupitter-Larsen’s work celebrates entropy and his own self-created lexicon of units of measurement.

Pages: 64
Size: 16,5 x 23 cm
Weight: 240 g
Binding: Softcover
ISBN: 9780990635185

€25.00

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INCA Press @ Motto Berlin
Tuesday, January 10th 7-9pm
(reading and discussion)

Please join us Tuesday, January 10th 7-9pm for the Berlin launch of the first three titles from INCA Press including “To Make a Public: Temporary Art Review 2011-16,” “Forms of Education: Couldn’t Get a Sense of It” and “Free as in Free…” published on the occasion of the 11th Gwangju Biennial. This reading and discussion will focus on contemporary challenges of teaching art within academic institutions, alternative education models, and the role of artists’ publications in times of social and political crisis with Irena Boric of INCA Press, Sarrita Hunn of Temporary Art Review, and Ferdiansyah Thajib of KUNCI Cultural Studies Center, Yogyakarta.

Institute for New Connotative Action (INCA) Press is based in Seattle, WA and Maribor, Slovenia.
Editors: Aeron Bergman, Alejandra Salinas, Irena Borić
Distributed by Motto Berlin

BOOKS:
To Make a Public: Temporary Art Review 2011-2016
A selected anthology of the first five years of online publication Temporary Art Review with contributions from Shannon Stratton, Steven Cottingham, Plug Projects, Good Weather, Transformazium, Kareem Reid, Anya Ventura, Matthew Fluharty (Art of the Rural), Cameron Shaw and Amanda Brinkman (Pelican Bomb), Taylor Renee and Jessica Lynne (ARTS.BLACK), contemptorary, Ryan Wong, Rianna Jade Parker, Rozsa Zita Farkas, Gelare Khoshgozaran, Gretchen Coombs, ACRE, The Black Artists Retreat, Signal Fire, Lauren Frances Adams with Occupy Museums, Mary Coyne, Sam Gould, Abigail Satinsky, Anthony Romero, Sarrita Hunn with Jonas Staal and many others.
Editors: Sarrita Hunn and James McAnally
Design: Haynes Riley

Free as in Free…
Published on the occasion of the 11th Gwangju Biennial.
In collaboration with Publication Studio.
Don Mee Choi, Daisuke Kosugi & Ina Hagen, Cia Rinne, Talena Lashelle Queen, OEI, Klara Glosova, Rae Armantrout, Aeron Bergman & Alejandra Salinas, Mikko Kuorinki, manuel arturo abreu, Matthew Offenbacher, Jacob Wren, US English, Hami Bahadori, Justen Waterhouse.

Forms of Education: Couldn’t Get a Sense of It
Gregory Sholette, Eunsong Kim, Pablo Helguera, Duba Sambolec, MFA noMFA, Shelly Asquith, Roee Rosen, Aurora Harris, Ted Heibert, Mohamed Ali Fadlabi, Beatriz Santiago Muñoz, Marjetica Potrč, Escuela de Garaje, Vancouver Institute for Social Research, Judy Chicago, Bisan Abu-Eisheh, Diego Bruno, Clare Butcher, Chus Martinez, Sezgin Boynik, Audun Mortensen, Aeron Bergman & Alejandra Salinas, Irena Boric, Sondra Perry & Nicole Maloof, Robert Paul Wolff, Chris Kraus, Martha Rosler, Tadej Pogačar, and Walid Raad.
Editors: Aeron Bergman, Alejandra Salinas, Irena Borić
Design: Rafaela Dražić

GUESTS:
Irena Borić is independent curator, based in Maribor, Slovenia. She often works within a group of curators and/or artists. Current collaborative projects are Shame on You! and net.cube. Recent exhibitions include: Pipe Dream (Vienna, 2015), Dreamers (Zagreb, 2016), net.cube: The Day My Internet Art Payed Off! (Velika Gorica, 2016) and Glass Ceilings (Maribor, 2016).

Sarrita Hunn is co-founder and editor of Temporary Art Review, a online platform for contemporary art criticism that focuses on alternative spaces and critical exchange among disparate art communities. Her own often collaborative practice focuses on the culturally, socially, and politically transformative potential of artist-centered activity.

Ferdiansyah Thajib is a member of KUNCI Cultural Studies Center, Yogyakarta. He is currently a Phd Candidate at the Institute for Social and Cultural Anthropology, Freie Universität Berlin. His life work is situated in the intersections of theory and praxis, with specific research interests on queer modes of endurance and forms of affective entanglement in everyday life.

Issue 8 – Self/Love

Sally O’Reilly, Daniella Valz Gen, Victor Burgin, Olivier Richon, Joseph Noonan-Ganley, Tim Etchells, Adrian Paci, Philippa Snow, Lara Konrad, Hannah Regel, Naomi Segal, Alice Hattrick, Sophie Calle, Megan Nolan, Alex Cecchetti, Anthony Auerbach, Oisín Byrne, Patrick Coyle, Isobel Wohl, Marine Hugonnier & Michael Newman, Adrian Rifkin, Jessica Worden, Ann-Marie James, Tai Shani, Francesco Pedraglio and Lauren De Sa Naylor.

Edited by Sami Jallili.
Published by EROS Press

Size: 18.7 x 12.7 cm
Weight: 348 g
Binding: Softcover

€14.00
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Atlas soccer is part of atlas, a collection of images taken from newspapers and gathered from 1990 to 2010 and later filed by subject. The material, exclusively in paper format, was found by chance and collected without a particular reason other than the compulsive attraction to the photographic image. It was only later, in the filing process, that it has found its current form, a sort of map of the author’s obsessions.
Atlas soccer is different from other, more uniform, collections in that inside the soccer world there are an infinite series of sub-categories that can be traced back to the actions and gestures taking place on the 90 minutes of the match. This chain of gestures opens to wider reflections on performance and production. Every gesture goes beyond its primary nature of spontaneous action and into the hybrid territory of representation. Soccer players, modern heroes relentlessly followed by camera lenses, give vent to their narration in a chain of poses that find their outlet in the image itself, displaying forms dripping with erotism and involuntary history of art. The match becomes synonym with the world; its gestures being its subjective variant.

€20.00

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