O Perfume Do Boi, André Princípe. Published by Pierre von Kleist Editions.

O Perfume do Boi (The Perfume of the Bull) is Princípe’s latest book, shot during a three-month anticlockwise journey around Portugal’s borders.

We are outside cities, out in the fields and woods, in small town circuses, with the lunatics and acrobats. The very strong narrative feeling comes with an equally strong suspicion that there might be no story. The photos of the animals and people combined with the natural elements, cause a sense of eminent danger and trouble. There is an aura of prophecy and myth, and in the end we are left with the echo of a cry in the night.

About the book, Príncipe has said “The Japanese five elements are, in ascending order of power – Earth, Water, Fire, Wind, and Void”.

D 20 €

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Book Cover, a project by Sara MacKillop. Published by Blue feint, 2009.

The material on which this book is based was compiled and edited by Norman Longmate, who before joining the staff of the BBC as a radio producer in school broadcasting was himself a freelance scriptwriter, contributing to both radio and television. He is now a member of the BBC Secretariat.

D 5 €

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Leigh Ledare, et al, Elena Filipovic (Ed.), published by WIELS, Mousse Publishing.

Leigh Ledare, et al. is published by WIELS Contemporary Art Centre, Brussels, and Mousse, Milan, in conjunction with the exhibition organized by WIELS (8 September – 25 November 2012), in collaboration with the Kunsthal Charlottenborg, Copenhagen (18 January – 12 May 2013).

With texts by Elena Filipovic and Nicolas Guagnini
Interview with Leigh Ledare by David Joselit

Designed by Garrick Gott, New York
Design assistance by Yoshie Hozumi
Typeset in Larish Neue and Life

Printed and bound in Belgium by Die Keure, Bruges

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032c is a contemporary culture magazine that fiercely believes in the intelligence of its readers, and rises to the challenge of surprising them. Published twice a year, it is both timely and timeless—a celebration of and for the most cutting-edge in art, culture, and fashion.

Finding the new in the old and the old in the new, it is considered the “Berlin magazine that propagates an aesthetic of brutal elegance” by the Frankfurter Allgemeine Zeitung, or simply as the “revue ultra-pointue” by Vogue Paris.

D 12 €

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O. Niemeyer, Erik van der Weijde, published by Rollo Press and 4478 Zine.

Rollo-Press and 4478ZINE have joined forces again and present ‘O. Niemeyer’, the latest artist book by Erik van der Weijde.
This time Van der Weijde travelled to cities like Brasilia, Sao Paulo, Rio de Janeiro, Paris, Milan, Berlin and many others to photograph the architecture of Oscar Niemeyer. Once more, the obsession with his subject, has led the artist to produce an archive presented in a book that follows the same design and size as This is not my Wife, only now in an oblong format.

D 24€

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Hired Hand, Stuart Bailes, Bea Fremderman, Ingo Mittelstaedt and Athena Torri, published by Vandret Publications.

The artist’s elegant landscapes and still lifes are re-appropreated – collaged, juxtaposed and presented alongside internet stock photographs to make up a softspoken picture poem in which brute force and a slight caress suggest an undefined plot.

D 35€

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Ein Du ist eine Co-Produktion des Künstlers Béla Pablo Janssen und des Dichters Dennis Freischlad. Gemeinsam suchen sie nach den Orten und Subjekten, die einer Beheimatung gleichkommen (könnten). Prosa, Fotografie, Tagebuchnotizen, Graffiti und Lyrik sind die Mittel, mit denen sie um den Mittelpunkt ihres Gegenwartsgedächtnisses kreisen. Die Themen lesen sich wie eine Bestandsaufnahme, wie ein Festhaltenmüssen des Erlebten: Kunst, Sex, Alltag, Sehnsucht, poetische Momentaufnahmen in Wort und Bild. Im Zwischenraum dieser in die Reflektion integrierten Sujets befindet sich die ständige Frage nach der individuellen und gesellschaftlichen Bewohnbarkeit der Welt.

Béla Pablo Janssen (geb. 1981) lebt und arbeitet in Köln.
Dennis Freischlad (geb. 1979) lebt und arbeitet derzeit in Köln.

Language: German/English

D 16€

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The Subjective Object, Anna-Sophie Springer (Ed.), published by K Verlag.

THE SUBJECTIVE OBJECT engages with the controversial site of the ethnographic museum and the role of the archive. In particular, the 1920’s photographic archive of the indigenous people of India by the German physical anthropologist and racist theorist Egon von Eickstedt (1892–1965) serves as a case study for an investigation into the role of historical artifacts in light of contemporary political situations. The nine interviews with curators, artists, anthropologists, and social workers provide the core of the book actively discussing the complicated issues around the archive’s function in producing knowledge. An annotated thread of images serves as a critical apparatus addressing the visual history of ethnographic display and classification practices—both in the scientific field as well as the cultural field at large. Questioning the assumption that the archive presents the “fact” of the “Other,” three literary texts counterpoint the inherent fantasies within scientific research. Just as the book begins with an archive—the Eickstedt photos—the book ends with a new archive—photos of the exhibition “The Subjective Object—(Re)Appropriating Anthropological Images” at the GRASSI Ethnographic Museum of Leipzig—illustrating the project’s desire to not only engage with the history of display but also to propose a future of display strategies and social engagement.

INTERVIEWS WITH: Carola Krebs, Meghnath, Theo Rathgeber, Nora Sternfeld, Alexandra Karentzos, Christopher Pinney, Philip Scheffner, Britta Lange, Jesko Fezer + Raqs Media Collective
LITERARY TEXTS BY: Franz Kafka, Brion Gysin + Suzan-Lori Parks
DESIGN BY: Timm Häneke
LANGUAGE: German and English

D 10 €

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I can no longer drink tea, …
Paul Elliman

Published by Colophon and Casco, as a contribution to the exhibition *Latent Stare* at CasCo, Utrecht, Netherlands.

D 10€
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Neue Welt by Wolfgang Tillmans, Taschen.

Over the period of more than two decades, Wolfgang Tillmans has explored the medium of photo-imaging with greater range than any other artist of his generation. From snapshots of his friends to abstract images made in a darkroom without a  camera or works made with a photocopier, he has pushed the photographic process to its outer limits in myriad ways. For this collection of photos, his fourth book with Taschen, Tillmans turned away from the self-reflexive exploration of the photography medium that had occupied him for several years by focusing his lens on the outside world—from London and Nottingham to Tierra del Fuego, Tasmania, Saudi Arabia, and Papua New Guinea. He describes this new phase simply as “trying out what the camera can do for me, what I can do for it.” The result is a powerful and singular view of life today in diverse parts of the world, seen from many angles. Says Tillmans, “My travels are aimless as such, not looking for predetermined results, but hoping to find subject matter that in some way or other speaks about the time I’m in.”

The book features a fascinating conversation between the artist and Beatrix Ruf, director of Kunsthalle Zurich.

The exhibition “Wolfgang Tillmans. Neue Welt / Wolfgang Tillmans. New World” will be on show at the Kunsthalle in Zurich from 1 September to 4 November 2012.

D 29,99€

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