All shots taken in New York City, in the summer of 2023, by Sara Hirayama.
[Sara Hirayama]
Creator of SP∞CE Magazine. Born in 2000, from Tokyo. In her photography, she excels in capturing the beauty of simplicity and the harmonious interplay of colors in everyday life.
@sp8cemag
@sarahhirayama
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SP∞CE Magazine is a media focusing on lifestyles and cultures. “There are ∞ (infinite) ways to live your life.” We hope to be a guiding light for those who yearn for freedom and authenticity but may not yet know the way. The debut issue “vol.00” features the communities around skateboarding and art in our home city, Tokyo. Find yourself, be yourself.
Interviews:
– Saeka Shimada (photographer)
– Ryo Seijri (skater/artist)
– Buggye (skate collective)
– Y Town Playaz (skate collective)
Artist Pages:
– Wataru Kawaguchi
– Yutaka Kobayashi
– Otokoume
– Azusa Nigo
– Ryo Sejiri
– Ranko
– Cohal
– Miho
– Pure
– Mofurio
Essays:
– Eroticism And The Power of Survival / エロと生命エネルギー
– How to Talk to Yourself / 自分を知ろう
Party Archives:
– Group Art Exhibition “M∞N” | July 2022
– Skate Video Premiere “M∞N” | October 2022
– M∞N -420 Specials- | April 2023
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Zerofeedback presents a collective publication that delves into the transformation and paradox of our hyper-connected yet fragmented world. A collective effort exploring the theme of The Annihilation of Space and Time. It features the work of 78 photographers, designers, and artists capturing the essence of our changing world, from the physical spaces we inhabit to our perceptions of time. An investigation into the human experience, our ability to adapt, transform, and create new possibilities.
Bruno Silva, Maja Renn, David Bard, Clare Stimpson, José Witteveen, Jeong Hur, Marie Michalikova, M. A. Dubbs, Daniela Dib, Sunniva Hestenes, Franziska Ostermann, Giacomo Infantino, Maria Makridis, Gerasimos Platanas, Stijn Terpstra, Valeria Arenda, wimpy af, Diana Fedoriaka, Katharina Siegel, Laura Sperl, Axelle VM Philtjens, Gabrielle Hall-Lomax, Valerio Figuccio, Alejandra Vacuii, Italo Ferrante, João Salgueiro Baptista, Grant Beran, Andrea Soverini, Johan Brooks, Julie Calbert, Micael Dias Afonso, Federico “Monty” Kaplan, Karol Szymkowiak, Aga Zdziabek, Eleonora Scoti Pecora, Thalles Piaget, Francesca Macis, Till Rückwart, Shota Tsukiyama, Maria João Salgado, Magda Pacek, Jenny Papalexandris, Darnia Hobson, Matteo Capone, Sviatlana Stankevich, Nikos Kapetanios, Marta Mengardo, Özge Ertürk, Bénédicte Blondeau, Antonio Rodriguez, Cian Burke, Marcus Reistad, Vitaly Severov, Valerie Kabis, Konrad Juściński, Jenni Toivonen, Marco Rocha, Thea Josefin Cedervall, Charlotte Mariën, Sam Evans, Nicola Toffolini, SingaSongontheGround, Violeta Morano, Diego Drudi, An Ting Teng, Javier Talavera, Oleg Tymchii, Alison Lubar, Leon Gallo, Yannis Konstantinos, Hanna Moritz, Antoine Grenez, Louisa Boeszoermeny, Carin Iko, Luis Barbosa, Mizue K, Frédéric Rennes
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Dehors
par Amélie Lucas-Gary
Nus Fleurs Fleuristes
Nus Fleurs Fleuristes II
NFF III
Voyage au Pouliguen
Grasse en Avril
Les Anciennes Auberges de Jeunesse
Nu aux Pavillons-sous-Bois
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Rent increases In current tenancies the landlord can increase the rent to the local comparative rent. The rent increase must remain unchanged for 12 months. The rent can only be increased by 15% over a three year period. The landlord has to justify this rent increase. Following modernisation, the landlord can increase the rental on a apartment. This rent can increase by 8% annually, only from the cost of the modernisation, but maximum 2 or 3 Euros/sqm monthly, depending rentlevel before modernisation. Special ru- les apply to rent increases for social housing. Attention: On 15.4.2021, the Federal Constitutional Court declared the Berlin rent cap unconstitutional, which was getting into force since February 23rd of 2020.
Handmade numbered edition 03/10, including an original 10 х 15 cm C-print
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Turkish: untruthful, long and empty talk.
Latin: word, speech.
On the theme of love, loss and longing.
The often occurring metaphysical, indistinct state of incompleteness.
Essentially, longing for longing.
The transformation of conceptualisation of Love, from the loaded words of ghazals to today’s constantly shapeshifting meaning, perhaps removing what was longed for, emptying it, into a long empty talk, Palavra to Palavra.
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BROUDOU is delighted to present the second volume of our magazine. This year, it is dedicated to stories that traverse the world of olive oil.
As a collective publication, we have gathered knowledge and perspectives on this sacred oil from artists, journalists, anthropologists, historians, poets, and even an archaeobotanist. Exploring the various dimensions of olive oil has taken us back thousands of years, out to Palestine and Egypt, into the homes of diaspora, and beyond.
Questions of health, cultural symbolism, nation building, exile, beauty, and homesickness weave through the nearly 20 contributions which are available in English, Tunisian Arabic, and French.
As with bread, olive oil has opened up enticing exchanges with people from all walks of life, and we hope for these conversations to stay open. By sharing these narratives, we hope to foster collective practices and engagements which bring forth systems that enrich rather than exploit the earth and the lifeforms which inhabit it.
BROUDOU is a non-profit publication and learning platform dedicated to exploring the future of food in Tunisia.
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“Animal Escape Plan”
According to the Federal Statistical Office of Germany, roughly 760 million livestock was slaughtered in 2019. A microscopic number of these animals manages to escape the statistic every year, sometimes in adventurous ways.
During the 2021, I travelled across Germany and Austria to meet these special escapees like Ferdinand, Hanni, Wolfgang, Joey, Halla and many more. I collected their stories and captured their personalities.
In both factory farming and the slaughter of so-called farm animals, Germany is sitting up at the top in Europe.
Most of the farm animal breeds up for slaughter and harvest have been developed by farmers and scientists over decades for efficiency’s sake. And it has left deep scars on the animal’s mental and physical health.
Ducks can’t reproduce themselves anymore. The ability to hatch eggs has been bred out because it is no longer required. Sheep grow endless wool and won’t survive without the constant shearing from humans. Bull legs are too thin to carry the body. Cows are dehorned because it reduces bruising to other cows and injury towards farmers. Cows can live up to 20 years, but most only ever live between 5-6 years. Caged in automated cowsheds and perpetually observed by machines, they’ll never get to see or touch the green meadows which adorn their milk packages. The cow’s ability to bear calves and produce the expected amount of milk is a matter of life and death for them.
Most of these animals never reach their average lifespan. They are usually slaughtered in an abattoir or die due to overbreeding illnesses.
To keep public cognitive dissonance at bay, these animals are numbered but never named. This is so the consumer never has to face the reality of commercial farming, when shopping for their meats and dairies in the supermarkets.
64 Pages, 32 images.
Softcover Zine
Size: 21 x 29,7cm
Edition of 800
Photography: Nikita Teryoshin
Design: Manuel Osterholt
Translation: Jeremy Gan
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Lukas Panek’s Inner, Outer, Paintings, Friends is an archive, a collection of everyday photographs, moments of intimacy, anonymous images from the internet, and the artist’s own work sessions. Through this exploration, which constitutes his playground, he documents the variety of representations in today’s online culture. Registers intermingle and create ambiguous narratives.In the process, familiar forms of narrative are deliberately undermined and the reader is immersed and drawn into the flow of images.
Inner, Outer, Paintings, Friends thus gathers more than 500 images and presents in its second part the paintings of Lukas Panek. Selected from this flow, they are both extracts of a global experience common to all, and a reflection of a personal world. This book plunges us into the abundant, vibrant and playful work of this young Berlin artist, a graduate of the Dusseldörf school, and offers us an extremely current vision of contemporary photography.
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Is your business secured in the case of ecological collapse?
Or are you unsure?
Oslo Apiary & Aviary is a provider of dark-ecological tools, goods and services. We work in the overlap between art and ecosystemic change, specializing in urban husbandry, feeding birds, growing worms, keeping bees, tending trees.
A consistent activity throughout our work is the inspection of how the domains ‘urbanity-nature’ and ‘private-public’ are expressed and separated: By caring for plants, birds and insects in the city, we question what types of life belong where. By subjugating ourselves to urban husbandry, we revitalize mutually dependent modes of being. Our entanglement allows for moments of enlivenment in a time of atomizing individuation. We are in this together! Through our embedded practice we try to get a sense of the city’s ontology – how the post-sustainable city is constituted and can, or can’t, be reconstituted.
Currently, ‘can’t” is in the lead, gothifying our practice. Drawing on strategies traditionally associated with the multi-roled artist, we find ourselves simultaneously planting trees as well as branching out into survivalist prepping: an entrepreneurial doomsday cult for hire, toiling in the ruins of humancentrism.
Marius Presterud (b.1980, Drammen) is a Norwegian artist based in Berlin and Oslo. He works across a variety of media; performance, poetry, sculpture and ecoventions, as well as in the field of mental health. Presterud has toured Europe as a poet, as well as performed and exhibited in established galleries such as Hamburger Bahnhof, Germany, and Kunstnernes Hus and Henie Onstad Art Center, Norway. From 2014-2019, Presterud worked full-time with his art- and research based practice, Oslo Apiary & Aviary.
Régine Debatty is a curator, art critic and the founder of award-winning blog we-make- money-not-art.com. Since 2004, she has been writing and lecturing internationally about the way artists, hackers and designers use science and technology as a medium for critical discussion.
Norwegian Sculptor’s Association 2023
Exhibition documentation courtesy of NBF and Kunstdok
Goth Beekeeping camera and editing by Lene Johansen
Grave Talk recording by Marius Presterud
editing by Rebekka Handeland
Press photo by Siv Dolmen
Catalogue design by Elena Feijoo